Black and women filmmakers, who are sorely underrepresented nationwide in the television and movie industries, were the focus of a yearlong fellowship for filmmakers of color at Open Signal Labs, the nonprofit community media organization in northeast Portland. Now the culmination of their work will be shared with film screenings and an after party celebration this Friday starting at 7 p.m. at Hollywood Theatre in northeast Portland.
The pilot year fellowship was overseen by Emmy-nominated filmmaker Ifanyi Bell, the executive producer of Open Signal Labs. The first screenings will come from six local black filmmakers: Kamryn Fall, Elijah Hasan, Tamera Lyn, Sika Stanton, Noah Thomas, and Dustin Tolman.
Project Coordinator RaShaunda Brooks, who is herself an African American filmmaker, told the Portland Observer the screening is to highlight the work and let people know more about the program.
“There are people of color here in Portland; there are black, brown filmmakers, people who just want to have access to this type of equipment, access to this type of work,” she said.
The films include documentary and narrative works that cover topics including law enforcement, African identity, music, fashion, and gentrification. Brooks said beyond that description, “it’s more of a surprise.”
“We want people to come out and see the work itself and let the work speak for itself,” she said.
Bell, who conceived the program, is a northeast Portland native who grew up just blocks from the former Portland Community Media building, which was re-launched as Open Signal in 2017. Having worked in public media on both coasts, as well as in the production side of major motion pictures like “The Departed” and “Mystic River,” Bell was inspired to create the incubator to address the stark lack of black voices like him in film and television industries.
The program provided its six fellows with training, mentorship, a stipend, and access to professional equipment. The filmmakers met weekly on Friday evenings to talk about their individual projects.
A talk from a lawyer about intellectual property, watching then dissecting popular films, and even travelling to Seattle and other places to work on video shoots, were some of the other experiences the fellows were able to have through the program.
In addition, the program connected the filmmakers to prominent black storytellers in the industry, such as Ime Etuk, the first assistant director of the Netflix series “Everything Sucks” and the upcoming feature film “The Water Man,” directed by David Oyelowo.
Brooks expressed gratitude to have been a part of the program that Bell and Open Signal worked together on to launch.
“I feel like it’s been really impactful for myself just being able to submerge myself back into film work and help other people get more invested in their own personal craft,” she said.
She added that Open Signal continues to do a lot for people who might not otherwise have access to professional video equipment or training, such as offering community members free access to industry standard equipment so long as they become certified in using it through one of their low-cost classes beforehand and agree to share their work on one of Open Signal’s cable channels.